Best rock albums January REVIEW: Magnum, Johnny Marr, Bad Company and more

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12 shares, 78 points
Best rock albums January REVIEW: Magnum, Johnny Marr, Bad Company and more 1

Bad Company: Desolation Angels (Rhino) – 4 stars.

Named after the Jack Kerouac novel, the original line up of Bad Company triumphantly hit the road, for the final time, to promote this double-platinum return to form album.

As Mick Ralph’s guitar riff hooks up with Paul Rodgers’ inimitable vocal on Rock ’n’ Roll Fantasy, Desolation Angels’ crafted songs fly out of the traps, shift through the gears and purr its remastered blues-rock sound with confident ease. Unlike its uneven preceding release, Burning Sky, there’s a strong balance of tune laden rocked up and acoustic songs with Gone, Gone, Gone, Evil Wind and Crazy Circles also making this a heavy rotation player. Even more so on this expanded deluxe offering with an unreleased Rock Fever and Smokin’ 45 included here for completists.

Polishing the rearview angle of this desirable album with these additional contemporaneous recordings completely supplants those that have passed through before.

Magnum: The Serpent Rings (SPV) – 4 Stars

Veteran British stalwart symphonic metal troupe Magnum has corralled together all of their exalted experience to record a stunning stonker of a record.

These eleven enchanting and exhilarating songs pick up the musical baton from 2018s Top 20 release, Lost On The Road To Eternity, to conduct a game-raising follow-up.

The magical and beguiling song titles attract as much as the spellbinding music revealed within. Where Are You Eden?, Madman Or Messiah and an epic Archway Of Tears explode with this venerable band’s melodious firepower to rest easy into their canon of top-grade material.

READ MORE: John Lennon’s BRUTAL opinion of the Rolling Stones music

Johnny Marr: Single Life  – 4 stars

Former Smiths song stylist and Indie maverick Johnny Marr has cultivated a strong body of under the radar songcraft during a long and consistent post-Smiths career. Whilst he has hired out his hands playing the guitar for the likes of Bryan Ferry, The Pretenders, The The, Electronic and Modest Mouse, Marr has also released solo albums and singles achieving a decent level of success.

On the back of his recent return to form solo album Call The Comet, this metallic silver box collects together his first ten 7″ vinyl singles for the first time, each pressed on different colour vinyl finishes with reproduction artwork. From 2012’s Upstarts to 2019’s Armatopia, and a vinyl debut for promo-track The Messenger backed by an unreleased demo of New Town Velocity, this prized collection will be cherished by his fans.

Never a flashy, gunslinging guitarist, the songs themselves traverse a poppy, experimental and dance-oriented fixation where the guitar is assimilated as a texture tool to complement and serve the overall songwriting.

A well crafted, impactful and collectable set of singles.

Osibisa: The Boyhood Sessions (Red Steel) – 4 Stars

Progressive world music originators Osibisa head up their 50th anniversary year with a rare groove collection superbly showcasing their unique musical credentials.

The band that Ghanain Teddy Osei started in 1970 with their first album release produced by Tony Visconti and adorned with Roger Dean’s first-ever album art cover commission, is still roaring strong.

With a punchy new mix of their perennial big hit Sunshine Day beaming down its happy beat, it’s Feel Good’s infectious dance mix which also proves to be an instant floor-filling anthem.

Live versions of Woyaya and Superfly Man reveals a softer, cool groove vibe and new studio song Abele emphasises this ongoing band’s ability to pen an original classic tune.

This joyful collection of songs unveils a new chapter in the ongoing singular story of the mighty Osibisa.

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